Soon
the Chorus becomes agitated by this sudden upheaval. Not really
knowing what to do, it naturally supports Creon, saying, "God and
government ordain just laws; the citizen who rules his life by them is
worthy of acclaim. But he that presumes to set the law at naught is
like a stateless person, outlawed, beyond the pale."
Next, the guard
returns to Creon with Antigone. He proclaims, "Here she is. She is
the one,-- the one that did it. We caught her in the act."
Antigone admits her
crime, confronting Creon on moral grounds. She asserts to the king,
"Isn't a man's right to burial decreed by divine justice? I don't
consider your pronouncements so important that they can
just...overrule the unwritten laws of heaven."
What follows is a
heated discourse between Antigone and Creon, in which both of them
threaten the other with moral law. Here the crux of the play is
confronted: whose law is greater: God's o man's?
Soon Ismene enters
the scene, telling Creon that she shares equal responsibility for the
crime. Ismene asks Creon for mercy on Antigone's behalf, since her
sister is suppose to marry Haemon, Creon's son. But Creon is not
persuaded, remaining stubborn in his judgment.
The Chorus senses
impending disaster, seeing this fated day as a result of Oedipus'
earlier crime. It remarks, "For once a family is cursed by God,
disasters come like earthquake tremors, worse with each succeeding
generation."
Next, Haemon
attempts to convince his father, Creon, that his judgment is wrong.
Yet Creon, again, is unyielding, saying that if he concedes to a
woman, anarchy will sweep through all of Thebes. Order, he says, must
be maintained by the king. Soon Haemon attacks his father, saying in
anger, "Don't think you have a complete monopoly of the truth."
At this time, the Chorus begins to withdrawal its support from Creon,
admitting that both sides have valid arguments. |